Happy Halloween!
October 31, 2012 3 Comments

Copyright © Ted C. MacRae 2012
Experiences and reflections of a Missouri entomologist
October 30, 2012 16 Comments
It has been a long time since I initiated my Beetle Collecting 101 series (more than two years!), and to date the first issue—Beetle Collecting 101: Dress for Success—remains the one and only lesson that I’ve posted. I really had intended to follow that up with nittier-grittier posts on the actual mechanics of collecting beetles and processing the specimens for long-term preservation, but I didn’t and don’t know why other than to say, well… life happens. It’s never too late to fix something, however, so as a long overdue follow up I thought I would give a short video lesson on how to pin a beetle—specifically a cerambycid (longhorned) beetle. Featured in this short (4:31) video is the lovely Megacyllene decora (amorpha borer), which I found back in early September at a site in Missouri’s southeastern lowlands. Click the image to be directed to the video.
Copyright © Ted C. MacRae 2012
October 29, 2012 10 Comments
This is not only the hardest ID Challenge I have ever posted, it is probably the hardest one anyone has EVER posted. I’m not going to ask for order or family because they’re so easy. I will ask for the genus, because maybe only a few of you will get that right, but the genus alone won’t be enough. I want the species! Don’t even think about searching the internet for a matching photo—it doesn’t exist! You’re going to have to utilize other resources to figure this one out.
Because of the difficulty of this challenge, all the normal rules are out the window—no points, no sessions, no moderated comments, no nothing. This is winner take all—first person to correctly guess the species gets loot! I’ll even provide all the collection data in the caption. Good luck!
Update 10/29/12 10:12 pm: Well, I goofed and didn’t think about somebody Googling the label data, which Ben Coulter did to quickly arrive at the correct answer. Stupid Google!
At any rate, and with great anticlimactic fanfare, say hello to Aneflomorpha cribellata, described by Bates more than a century ago (1892) and known only from that single type specimen until the collection of this one in southern Mexico in 2005 (MacRae et al. 2012). This is the first photograph of the species and will be added to Larry Bezark’s A Photographic Catalogue of the CERAMBYCIDAE of the World.
Reference:
MacRae, T. C., L. G. Bezark & I. Swift. 2012. Notes on distribution and host plants of Cerambycidae (Coleoptera) from southern México. The Pan-Pacific Entomologist 88(2):173–184.

MEXICO: Oaxaca, 4.8 km E La Ventosa, Hwy 190, 16°33’27″N, 94°54’27″W, elev. 76′, 28.vii.2005, beaten from unidentified dead branches, coll. T. C. MacRae.
Copyright © Ted C. MacRae 2012
October 28, 2012 4 Comments

Toposcopus wrightii on dead branch Juniperus virginiana | Major Co., Oklahoma
I’ve puzzled over the beetle in the above photo since I first saw it back in September on Day 2 of this year’s Annual Fall Tiger Beetle Trip. I encountered it on a dead branch of eastern red-cedar (Juniperus virginiana) on top of the main mesa at Gloss Mountain State Park in northwestern Oklahoma. At about 8 mm in length, it immediately struck me as possibly something in the family Ripiphoridae (wedge-shaped beetles). Still, the full-length elytra covering the abdomen made me doubt that identification, so I collected the specimen to get a better look at it when I returned home. Later that same day, while scanning the base of another mesa across the highway from the park at night, I came upon another individual that seemed to represent the same species—this time on a dead branch of fragrant sumac (Rhus aromatica). That individual is seen in the photo below, and two things are immediately apparent: 1) the beetle is a female in the act of oviposition, and 2) it is holding its elytra outstretched in a most curious way.

Another female oviposits on a dead branch of Rhus aromatica.
A quick browse through BugGuide’s ripiphorid images quickly showed a likely match with the genus Toposcopus, and consulting the original description of both the genus and its only included species—T. wrightii (LeConte 1868) showed agreement with the key diagnostic character (eyes divided into two lobes connected by a slender line of smooth, non-faceted corneous membrane). These two females differ from the male by their much less flabellate antennae (presumably the male uses these organs to detect female-emitted pheromones). LeConte described this species from New Mexico, and Rivnay (1929) also saw specimens from Texas and Arizona when he reviewed the North and Central American species of the family. Although the species is listed on Don Arnold’s Checklist of the Coleoptera of Oklahoma, the listing seems to be based only on the presence of specimens in the Oklahoma State University insect collection, while published records of its occurrence in the state are, as far as I can tell, still lacking. This species, thus, seems to be, along with Acmaeodera macra and Chrysobothris octocola (both family Buprestidae), an example of a typically southwestern U.S. species whose distribution extends northeast into the Red Hills Region of northwestern Oklahoma. Considering that Cylindera celeripes (Swift Tiger Beetle) and Amblycheila cylindriformis (Great Plains Giant Tiger Beetle) also have only recently been discovered in this area, it would seem that this part of the state is still undersampled and has the potential to yield additional interesting southwestern U.S. species.

Why is this female holding her elytra outstretched while ovipositing?
Regarding the outstretched elytra, I’ve not seen this type of behavior before with a beetle in the act of oviposition. While several groups of insects in other orders may hold their forewings outstretched as part of threat displays, I’ve not seen a beetle hold its elytra outstretched for any reason at all other than flight and don’t recall seeing such behavior mentioned in the literature either. Thus, I’m at a loss to explain why the beetle is doing this. If you have any ideas I would love to hear them.
One thing that I enjoy immensely about 19th Century taxonomic literature is the rich, often effusive prose that frequently accompanies the descriptive portions of the text. (I also lament that such colorful writings are nearly universally frowned upon my modern editors. Perhaps as taxonomy advances more fully into electronic-only publishing the concerns about space will dissipate and taxonomic authors will no longer be constrained to such sterile, uniform, precisely formatted writings.) The naming of this species provides an especially colorful example of the embellishments permitted to 19th Century authors:
I desire in the name of this beautiful and interesting addition to our fauna, to commemorate the ability of Gen. W. W. Wright, the Chief Engineer and Commander of the Survey in which the species in the present memoir were collected. His attention to the comfort and safety of the party while traveling through a hostile Indian country will not soon be forgotten by any of his companions; while the skill with which the more difficult portions of the route were examined, and the labors of his assistants directed to the most easy methods of surmounting the difficulties, will commend itself to every admirer of correct engineering.
John L. LeConte is widely regarded as the father of North American coleopterology. I don’t think there is anybody from the 19th Century, save perhaps Charles Darwin, that I would have more liked to meet.
REFERENCES:
LeConte, J. L. 1868. New Coleoptera collected on the survey for the extension of the Union Pacific Railway, E. D. from Kansas to Fort Craig, New Mexico. Transactions of the American Entomological Society 2:49–59.
Rivnay, E. 1929. Revision of the Rhipiphoridae of North and Central America (Coleoptera). Memoirs of the American Entomological Society 6:1–67, 3 plates.
Copyright © Ted C. MacRae 2012
October 27, 2012 4 Comments
Over the past two years, we have made great progress in working through a backlog of manuscripts as we bring the journal closer to our eventual goal of on-schedule publishing. I thank the authors who contributed manuscripts, the Editorial Board for their efforts to work through this backlog, and especially the many reviewers who contributed their time and expertise to ensure that the manuscripts met our high standards of quality research.
With the backlog of manuscripts cleared and existing manuscripts moving quickly through the review process, we are in need of new submissions to maintain the momentum we have established as we finish out volume 88 and look forward to the publication of volume 89. The Pan-Pacific Entomologist is an international journal publishing manuscripts on taxonomy and biosystematics of insects and other closely related arthropods. Manuscripts from all world areas are welcome, with those from regions around the Pacific Rim especially desired.
For those of you conducting taxonomic or biosystematic research on insects and their relatives, I hope you’ll consider The Pan-Pacific Entomologist as an outlet for the publication of your research. Among the many journal choices that are available to you, we offer 60% reduced page charges for all members of The Pacific Coast Entomological Society, an additional 50% reduction of the first 5 pages for members that meet other qualifications, and a complete waiver of normal page charges for authors who follow our “pre-reviewed” process (up to 20 pages per volume). The Pan-Pacific Entomologist has long been and continues to be one of the lowest cost print journals for entomology with an international scope.
If you have a manuscript that you would like to consider publishing in The Pan-Pacific Entomologist, please don’t hesitate to contact me (Ted C. MacRae, Managing Editor) on this page or by direct message. I look forward to hearing from you!
Copyright © Ted C. MacRae 2012
October 24, 2012 8 Comments
After years in the field looking for insects, one develops an eye not only for recognizing insects but also recognizing when something doesn’t look quite right. That happened to me early this past September at a spot along the Mississippi River in southeast Missouri where I had stopped during late afternoon to look for diurnal species of tiger beetles and then man a blacklight in the evening for nocturnal ones. It was still daylight as I walked along the edge of rank growth bordering the upper banks when a small, reddish “cluster” on a seed head in a stand of tall grasses caught my eye. I didn’t know what it was when I saw it, but I knew it was something ‘out of place.’ My first, cursory thought was that somehow the spent anthers of the now-seeding grass had gotten caught in a tangle, but I must have still had doubts because I looked closer anyway. Just then the “cluster” moved, and I then recognized what I was dealing with—an Emerald moth (Synchlora sp.) caterpillar. Caterpillars in this genus are remarkable for their habit of adorning their bodies with bits of the plants upon which they feed. I am, however, a beetle man and thus admit to being completely unaware of their existence until last summer when Alex Wild featured one of these as a Monday Night Mystery. I wondered then, “Why haven’t I seen one of these before?”, and now I know why—because they are extremely well camouflaged!

Synchlora sp. | Mississippi Co., Missouri
Realizing what I had, all efforts to look for tiger beetles were suspended (I hadn’t seen anything after ~30 minutes of looking anyway), and I broke out the 65mm lens to get the most of this small but remarkable looking insect. I took more than 50 shots, trying different backgrounds, angling the grass stem in different positions, and hoping with each shot that I had captured the larva in full profile, completely in focus, and in the midst of that magical loop. I was sure I had that “perfect” shot when I got home and anxiously fired up the computer to get a better look at the photos. My optimism began to drop, however, as I scanned through each successive photo and continued to not encounter that one photo that would cause me to say “Yes!” Exposure? Check. Composition? Check. Lighting? Check. Focus? Er… crap! The problem was pervasive throughout the entire set, and in the end, I have only this one photo that comes anywhere close to what I had envisioned while I was taking the photos. It’s a shame, because I love everything else about this photo. The cause of the problem is the very thing that makes the larva so remarkable—its adornments. The spent anthers project off the larva in all directions, adding considerable dimensionality to the subject and surpassing the depth-of-field capabilities of my lens. If the subject was in focus the forward projecting anthers were not, and if the anthers were in focus the subject was not. If I had realized in the field what was going on, I would have not gotten in so tight and cropped as appropriate during post-processing. Live and learn!
Although 12 species of Synchlora are found in North America, only one—Synchlora aerata (Wavy-lined Emerald)—is widespread in the eastern U.S. However, a number of other species are found in the southeastern U.S., and for all intents and purposes the Mississippi Lowlands of southeastern Missouri are the south (culturally as well as biogeographically!). As a result, a generic ID is the best that can be done for this larva.
Copyright © Ted C. MacRae 2012
October 23, 2012 21 Comments
One thing I’ve discovered after trying my hand at insect macrophotography for the past three years is that I take a lot more photos than I can possibly post. As a result, I tend to focus my efforts on more recent photos, especially those that have some kind of interesting natural history story to tell. Photos that don’t get posted soon after I took them tend to accumulate in my virtual “not yet posted” files, and periodically I need to browse through them to re-acquaint myself with any that I may have since forgotten about. Not all of these ”other” photos are bad or uninteresting—they just happened to be taken at a time when I had other photos that I was more interested in using. Admittedly, however, there truly are some rather ugly photos in these archives, and the older they are the more frequently I find myself asking, “Why in the heck did I even keep that photo?” (hopefully this indicates improvement in my standards of what constitutes a photo worth keeping).

Cicindela limbalis | nr. Laramie, Wyoming
There is, however, a lesson here to be learned, and that is don’t be too quick to send to the recycle bin a photo that at first sight appears not worth keeping. Take, for example, this photograph of Cicindela limbalis (Common Claybank Tiger Beetle). This pretty little species is broadly distributed in Canada and the northern U.S. from New England across the Great Plains to the eastern edge of the Rocky Mountains. Different populations show differing degrees of maculation, and here in Missouri the species is nearly immaculate. I found the individual in the above photo in Wyoming’s Medicine Bow National Forest as an example of the more completely maculated forms. However, since it was the only individual I saw in that location I didn’t try to photograph it in the field. Instead, I captured it and photographed it later in the “studio” (my hotel room). Sadly, this was in September 2010 when I was still a rank beginner in terms of insect macrophotography, and as a result I was far less versed on such details as lighting and composition than I am now. I’m ashamed to say that I thought this photo was “good enough.”
Of course, by today’s standards that is one crappy photo! If it wasn’t the sole photo that I have from that population I wouldn’t hesitate to throw it away. However, since I’ve been putting some effort recently into honing my Photoshop skills, I thought I would see if I could “rescue” from this crappy photo a halfway decent one. I did this as follow:
Lastly, I used typical “Unsharp Mask” settings to sharpen the photo, and here is the final result:

This photo won’t win any awards, but it is a completely serviceable illustration of the species.
This is still not a great photo—in addition to the clipping, the focus is a tad too deep and the beetle has assumed that dreaded “ground hugging” pose that I so detest with confined subjects. Nevertheless, I wouldn’t be ashamed to use this photo if none better were available.
What alternative techniques would you have used on reworking this photo?
Copyright © Ted C. MacRae 2012
Commentaria Novae